Bartlemy Goodman is approximately 1500 years old. An albino of Greek parentage, he was born in Byzantium during the decline of the Roman Empire-- and now resides at Thornyhill house in England, with his dog, Hoover. Bartlemy is one of the Gifted. But experience has taught him the perils of the power of the witch-kind, and so through the ages he has channeled his considerable talents into cooking,...
Bartlemy Goodman is approximately 1500 years old. An albino of Greek parentage, he was born in Byzantium during the decline of the Roman Empire-- and now resides at Thornyhill house in England, with his dog, Hoover. Bartlemy is one of the Gifted. But experience has taught him the perils of the power of the witch-kind, and so through the ages he has channeled his considerable talents into cooking, his culinary prowess becoming the stuff of legend: rumor has it, he was among the first to discover chocolate.
On a warm evening in 1991, a young homeless woman holding a baby turns up on Bartlemy's doorstep and he senses destiny at work. The woman's name is Annie Ward and her son, Nathan, is an exceptional child in that Annie cannot account for his conception. Her husband Daniel died in a car accident so Nathan cannot be his. Soon Bartlemy comes to believe that the boy was created beyond the Gate of Death by a superior being for a special purpose, one that may threaten all of witch-kind. Whilst Nathan grows and Bartlemy continues to watch over the small family, strange occurrences begin to plague the village.
The Thorn family, who gave their name to the village and have lived close by since pre-Christian times, were once the guardians of a strange cup of greenish stone set with jewels. When it was lost-- sold to a collector in Austria by the black sheep of the family-- the family's fortune soon followed suit. Rumored to have been stolen by the Nazis during the war it has now turned up at Sotheby's and the last of the Thorns is determined to get it back by proving the original sale false. Bartlemy joins his friend, Rowena Thorn, in her campaign. But the matter becomes complicated and sinister when Nathan discovers the body of the Austrian owner in the wood nearby and begins to experience disturbing visions involving the cup itself.
Requires a narrator who can perform:
Genre:
Science Fiction & Fantasy
Fiction/Nonfiction:
Fiction
Accent:
British-General British
Title Information:
Date posted to ACX:
Dec 20 2011
Original publication date:
2005-03-01
Amazon sales rank:
3581742
Amazon rating:
4.8 out of 5 stars (12 ratings)
Comments from the Rights Holder:
The Greenstone Grail is the first novel in a new trilogy, a coming-of-age story tied to the lost Grail myth. It's also a book for young adults and older readers alike--one part science fiction, four parts fantasy, and can be read on many levels. The latest wave in popular fantasy involves stories about young people that can be enjoyed by young adult and older readers alike. Like Phillip Pullman, Garth Nix, J.K. Rowling, and even Christopher Paolini, Amanda Hemingway weaves intricate fantasies that can be read on several levels at once.
"...the book glows with a blend of ancient magic and wide-eyed wonder that should captivate audiences on both sides of the Atlantic..." -Publisher's Weekly
"One descries in the situation of Hemingway's young Nathan resemblances to elements of the situations of a boy named Harry, some of Neil Gaiman's characters, and even Lemony Snicket. There are also notable differences, notably Nathan's mother, Annie Ward, a stronger female character than any of the authors involved in the above-mentioned contexts have yet created. She and Hemingway's folkloric expertise make it sheer good news that this book launches at least a trilogy." -Booklist
Amanda Hemingway has already lived through one lifetime--during which she traveled the world and supported herself through a variety of professions, including that of actress, barmaid, garage hand, laboratory assistant, journalist, and model. Her new life is devoted to her writing, but she also finds time to ride, ski, and attend the opera.