• Patrick R. Golden
  • Actor, writer, musician, composer, sound artist. Genre fiction specialist.
  • Gender: Male
  • Location: CA,United States
  • Website: www.pisceancreed.com
  • Available for: Royalty Share or Unspecified

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Three Rode Again - Retail Sample

Category : Fiction
Language : English
Gender : Male
Accent : American-General American
Vocal Style : Cowboy
Performance Notes
Retail sample for the second book in Ben Bridges/Steve Hayes' western series Three Guns West -- Three Rode Again!

Moon of the White Wolf (Retail Sample)

Category : Fiction
Language : English
Gender : Male
Accent : American-General American
Vocal Style : Cowboy
Performance Notes
Retail sample from Mark Stephen Taylor's awe-inspiring book, 'Moon of the White Wolf: An Untold Tale of the High Sieera, 1874.'

Three Rode Together (Retail Sample)

Category : Fiction
Language : English
Gender : Male
Accent : American-Western
Vocal Style : Cowboy
Performance Notes
Retail sample from "Three Rode Together" by Ben Bridges and Steve Hayes

'Round Midnight (Retail Sample)

Category : Mysteries & Thrillers
Language : English
Gender : Male
Accent : American-General American
Vocal Style : Masculine
Performance Notes
This is the retail-available sample of Quentin Peterson's "'Round Midnight," currently available on Audible.com and Amazon.com.

Pontypool - Commercial - 60 Seconds

Category : Arts & Entertainment
Language : English
Gender : Male
Accent : American-General American
Vocal Style : Range: low to mid range
Performance Notes
A 60-second faux-commercial created by Patrick Golden, narrated by Patrick Golden, for use on-stage during Stardust Playhouse's Autumn 2013 run of "Pontypool" by Tony Burgess.

VOICE & SOUND ARTIST (Can also provide music and sound effects at an additional rate above the fee for narration) -- I have been an insane tyrant, a radio-bound narcissist, a neurotic sycophant with too much political power, a lounge singer vampire with delusions of grandeur, a Byronic poet, a Viking bard, a drunken German brewmaster, and "a guy who reads the boilerplate" (among many others...). I have 25+ years of performance experience, including several years as a gigging-touring guitarist/vocalist, several stints on local radio, and most recently, theatrical acting. I am outlandishly fond of imitating others' voices, and am a lifelong student of the Accent. I've had two women tell me that I have an Orson Wellesian aspect. But only two. I have been described in my youth as "the other Ricky Schroeder" and have most recently been described as looking much like some feller named "Opie" in some show named "Sons of Anarchy." I've been threatening retrosexuality for several years now; my facial hair has finally caught up. I have a combined Social Media reach of 1000+ followers. I have access to another 4800+ followers for purposes of marketing and distribution.
AUDIOBOOKS Moon of the White Wolf, by Mark Stephen Taylor Three Rode Together (1), by Ben Bridges/Steve Hayes Three Ride Again (2), by Ben Bridges/Steve Hayes The Yankee Must Die, by T.E. MacArthur 'Round Midnight, by Quentin Petersen THEATRE The Tragedy of Macbeth (as Macbeth) Pontypool (as Grant Mazzy) Salome (as King Herod) 9 To 5: The Musical (guitarist/mandolinist) Hedwig and The Angry Inch (as Skyzp and as musical director/guitarist/keyboardist) FILM Oranj (as Dr. Cruijff/writer/director/music) Absent (as the Brother/writer/director/stunts/music) PODCASTING The Poet (Gothic Gourmet podcast) Boilerplate Reader (Gothic Gourmet podcast) Whiskeyjack (radio host - The Dry & Rye Cocktail Podcast) MUSIC Bog Iron (songwriter/guitarist/producer) Vulture King (songwriter/guitarist/producer/vocalist) The John Michael Band (guitarist) JuMP (guitarist) The Remedy (guitarist)
William Shakespeare's THE TRAGEDY OF MACBETH Paper Wing Theatre, Monterey, CA - Summer of 2013 "I was challenged, provoked, sometimes irritated and yet strongly impressed by Patrick Golden in the title role. With all that initial blood and death, I was afraid that, like some actors, he was going to play Macbeth as a ranting thug. What is impressive about this sturdy young man is that he understands, or at any rate intuits, that Macbeth is no Mafia dummkopf, but a sensitive and perceptive thinker, a ruthless soldier who nevertheless knows the moral implications of his actions, their dark, eternal dangers to his immortal soul. Hamlet may waver and hesitate until persuaded at long last to destroy evil in an act of violence. Macbeth is seduced, almost from the opening moments, into creating a spiral of evils, knowing every bloodstained step of the way, exactly what he is doing. Golden is in control of almost everything he decides to do in playing the role. The decisions he makes may sometimes be questionable, but it is impressive to see him make them. Skilled as he is in embodying all that combat choreography and stage movement (he has wonderful hands), he is at his best in the soliloquies. These are not private ruminations or hair-tearing tirades; he looks us in the eye and shares his tormented moral reflections, as though he were an accused man defending himself in court, and we the jury. [...] I would hope this young actor continues to steep himself in this and other Shakespeare roles. His debut Macbeth shows a promise that it would be great to see fully realized in the future." Patrick Golden's Vivid Macbeth at Paper Wing, by Philip Pearce (http://performingartsmontereybay.com/theater-reviews/) ---------------- Tony Burgess' PONTYPOOL Stardust Playhouse, Monterey, CA - Autumn 2013 "Golden is completely at ease (even when his character gets quite apprehensive) in his role; he doesn't need to resort to out and out "shock jock" tactics to get your attention and make you believe that he's been behind the microphone for years." Pontypool At The Stardust Playhouse, Shane M. Dallman (Video Watchdog) (https://www.facebook.com/notes/shane-m-dallmann/review-pontypool-at-the-stardust-playhouse/10152080326498319)

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