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Audiobook Samples
About
Credits
Awards and Recognition
From Ninety-Three, by Victor Hugo

Category : Classics
Language : English
Gender : Male
Accent : American-General American
Vocal Style : Storyteller
Performance Notes
All samples are from my current personal recording studio and mastering process, and from audiobooks I narrated.

M/F DIALOGUE from The Last Billable Hour, by Susan Wolfe

Category : Mysteries & Thrillers
Language : English
Gender : Male
Accent : American-General American
Vocal Style : Comedic/great comic timing
Performance Notes

From Where Wizards Stay Up Late: The Origins of the Internet, by Katie Hafner

Category : History
Language : English
Gender : Male
Accent : American-General American
Vocal Style : Authoritative
Performance Notes

From The Worst Seat in the House, by Caleb Jenner Stephens

Category : History
Language : English
Gender : Male
Accent : American-General American
Vocal Style : Authoritative
Performance Notes

Training: BA Radio-TV & Theater, San Jose State University Studied audiobook narration with Pat Fraley, Scott Brick, Hillary Huber and Paul Ruben Home Studio: Acoustic, soundproof recording booth Neumann TLM103. AKG214 and Audio-Technica 4040 microphones
Over 70 professional audiobooks, primarily science fiction and fantasy, including works by H.P. Lovecraft, Andre Norton, Robert Sheckley, and Frederick Pohl, as well as classics, including Moby Dick and Frankenstein, and non-fiction, such as Your Dog: The Owner's Manual and Where Wizards Stay Up Late: Origins of the Internet Clients have included Audible, Hachette Audio and Orca Book Publishers
Review of the novel All or Nothing by Preston L. Allen by AudioFile Magazine: http://www.audiofilemagazine.com/dbsearch/showreview.cfm?Num=64225